Beneath the chaos there lies a quietude. Faint voices drowned out by the oversaturated material of recent life. In “The Loudest Silence” Ziping Wang attracts out these voices. Pairing her distinctive maximalist aesthetic with enigmatic depictions of on a regular basis objects and pure types, she peels away sections of densely packed canvas to permit us transient moments with an unlikely stillness.
Wang creates vibrant, brimming reflections of the modern tech-scape by extracting common symbols from classical artwork, product packaging and web boards. Cartoon cows and pixelated hen drumsticks float suspended alongside the figures of Japanese scroll work slipping mysteriously behind folding blinds. Grids paying homage to modifying software program streak throughout the canvas. Wang’s works overflow with common symbolism and trans-cultural markers, cultivating a definite visible language that instantly captures the viewer’s consideration. Impressed by secret codes and on-line slang, she conceals and modifies these collective symbols. The result’s a posh and evocative cryptology that communicates the distinctly modern feeling of data overload.
In “The Loudest Silence,” a subtlety enters this universe. Monochrome moments of quotidian surrealism tucked inside Wang’s intensely graphic visible subject. Dotted all through this new physique of labor, they seem as weird composite constructions that allude to the contents of our baggage and drawers or in oozing swimming pools of ambiguous foliage and family paraphernalia. As Wang’s visible universe expands to incorporate these extra subdued areas, her cryptology develops. On the coronary heart of this newest work is a paradox. With the inclusion of those softer parts Wang brings a brand new spaciousness and concord to her work. Nevertheless, because the viewer approaches the canvas, they uncover these sections to include imagery close to inconceivable to construe. Surrealist worlds that lie outdoors of the eye economic system however require a focus that really holds the viewers gaze.
Wang’s drawing collectively of those visible worlds offers rise to a poignant viewing expertise. One which feedback on the very nature of consideration. A shiny orange soda can peeking out from behind an array of candy floral prints exists in the identical house as a pair of stacked monochrome squares in blue and grey every depicting a one eyed septopus. To the fitting, we glimpse the sting of a crimson cherry. An ironic welcome signal is pasted all through the portray. On this multifarious universe devoid of grounding components, Wang leaves the viewer questioning the place to look and what they’re being welcomed into. This fascinating groundlessness is maintained by avoiding layers of orientation akin to narratives and views. Discernible characters are not often seen. Wang’s work embody a flatness that mimics the digital expertise. Shadows and vanishing factors are eradicated and with them the potential of a single observer. This can be a shared perspective. An all-inclusive world with no hierarchy or focus. On this world, photographs are substances sourced from the web or grocery store cabinets, chosen by Wang for his or her coloration and form. Utilizing these, she collages collectively irresistible constellations earlier than hand portray the ultimate piece. This methodology and her aptitude for composition permits her to think about visually gorgeous works that keep away from centrality while additionally fascinating her viewers. The viewer is as a lot disorientated as they’re enticed. On this approach, Wang brings an intriguingly acquainted expertise to the gallery house. One contained within the devices tucked away in our pockets or clutched between our fingers.
It’s this expertise itself that’s on the core of Wang’s mission. The sensation of an encounter with considered one of her items and the try and decipher that means from the chaos. “The Loudest Silence” presents an evolution of this expertise. One which operates round a dance with the viewer’s consideration. As Wang brings in these quieter components she makes a strong assertion on the worth of the more durable to decipher features of our world. Drawing the viewers in with the colourful imagery of the eye economic system however holding their consideration with a extra mysterious visible language, Wang factors to the complexity of our trendy world and what we’d miss by solely giving house to its loudest elements.
at Peres Initiatives, Seoul
till February 10, 2023