The enterprise of Sarah Benslimane’s artwork is variously ideological. She communicates throughout Artwork and Objecthood, highs and lows, modular methods of artwork and people of design and diversion. Breaking the principles of the large boys, the concrete and content material mingle. Figurative collapses into kind, however nonetheless in scale and sight it displays us all. This excessive curler is furnishings on the transfer, bottoms up, the non-public aspect dominating. Suggesting portray whereas taking over house. Suggesting sculpture whereas disenchanting the consistency of 360 levels. One senses logic withheld. Directions not extant. A sport of constructing blocks transgressing legibility, with the attendant expectation of modular talents and alternate shows. Development as an aesthetic facet, no singular tips or hidden engineering. Mirroring the viewer as a gambler’s instrument, the structure of video games is the structure of us. Every created via each likelihood and selection, whereas we surprise concerning the guidelines in addition to the stakes. These rigged cube with their solitary faces communicate to an indecipherable melancholia. The article doesn’t search to be understood. Presentness is grace.

at Plymouth Rock, Zürich
till April 6, 2024