Nora Schultz’s multidimensional apply consists of not solely sculptural, filmic and appropriative components but additionally typographic, performative and linguistic ones. For her exhibits, she assembles them to expansive installations, setting particular person elements in relation to one another. Her works principally confer with the area, in order that they are often understood as a type of talking with and concerning the area, for instance, by inscribing themselves in it, taking over its constructions or fully occupying it. Key moments consist in shifting, destabilizing and remodeling. Due to this fact, her items ceaselessly seem like in a precarious and fragile state—in some way out of steadiness, swaying or hovering. However solely to the extent that they nonetheless “maintain.” Nora Schultz shouldn’t be intent on destroying issues, however as an alternative on softening, unsettling, questioning, and disorienting them—be it architectures, constructions, surfaces, borders, or realities. For under when one thing is dissolved can it’s uncovered, thus permitting it present itself from a distinct, unknown perspective. Though Schultz’s works use the exhibition area, a really particular area, as a place to begin, they refer past it and weave innumerable threads that elevate a bodily, sensual, social, and political consciousness of relations, programs, constructions, circumstances, and circumstances.

at Kunsthalle Bremerhaven
till July 21, 2024