“Nevers” at Galerie Khoshbakht, Köln

By Last Updated: May 21, 2024Views: 37

You noticed nothing in Hiroshima.
– I noticed all the things, all the things. 1

A negation, adopted by a negation. This ambiguity between what’s true and what’s unfaithful, what can or can’t be skilled, is just obvious. There’s a extra common fact on this dialogue. That each state- ments are concurrently appropriate and due to this fact true. That fact is in the end a query of perspective. Generally actuality appears to be too massive to be skilled as an entire, that it’s maybe additionally too merciless to wish to expertise it straight. That it due to this fact requires alienation and translation with a purpose to pay money for it, so as to have the ability to bear it.

Nevers brings collectively artists who cope with the query of the representable and the unrepresentable, who negotiate the inside and exterior of actuality in relation to their media. Generally it appears that evidently actuality is simply too massive to be skilled as an entire, that it’s maybe additionally too merciless to wish to expertise it straight. Thus, every artist explores the query of illustration and the representable, the articulable, in their very own distinctive method through the use of technique of alienation and translation.

Taking part artists:
Beth Collar, Keta Gavasheli, Nicole Gravier, Raha Raissnia, Ulrike Schulze

at Galerie Khoshbakht, Köln
till Could 30, 2024

1    Opening sequence from, Hiroshima mon amour, a movie by Alain Resnais, written by Marguerite Duras.


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