“Il resto di niente” at Museo d’Arte Contemporanea Donnaregina – MADRE, Naples

By Last Updated: June 21, 2024Views: 18

The group exhibition “Il resto di niente (The Stays of Nothing),” offered by Museo Madre and Gucci, is devoted to the connection between architectural contexts and the identification and emotional experiences that inhabit them. The exhibition is curated by Eva Fabbris with Giovanna Manzotti, primarily based on an concept by Sabato De Sarno.

The exhibition’s title references the novel by Enzo Striano (Mondadori), which, by means of the non-public occasions of the protagonist Eleonora de Fonseca Pimentel, attracts a portrait of the social and anthropological transformations that affected Naples in the course of the revolution of 1799. The exhibition “Il resto di niente” figuratively takes up the themes addressed within the guide, which, between subjectivity and historical past, explores the opportunity of social and anthropological transformations in a interval of nice change for the Neapolitan metropolis.

Naples and its transformations are on the coronary heart of the exhibition, which finds its frequent thread within the analysis of Aldo Loris Rossi. As a elementary and visionary determine within the Italian architectural scene of the second half of the 20 th century, Rossi started within the Sixties started to determine a radical aesthetic and political discourse on structure and concrete planning, paying particular consideration to the town of Naples. Aldo Loris Rossi’s imaginative and prescient emerges within the exhibition by means of a number of drawings and initiatives he created for Naples, lots of which have been conceived along with Donatella Mazzoleni. These works are positioned in an unprecedented dialogue with the works of twelve up to date artists from completely different backgrounds and generations, every of whom brings completely different responses and interpretations.

The exhibition marks the resumption of the Museum’s exhibition exercise after the interruption to permit the primary section of works and extraordinary upkeep. It additionally constitutes a virtuous instance of the primary public-private collaboration undertaken by Madre, inserting the establishment on the middle of a fruitful and respectful dialogue between the world of artwork and that of companies. Moreover, it testifies the robust need, on the a part of Gucci and its Artistic Director, to create a synergy with an establishment that displays its aesthetic and creative values.

The present presents quite a few drawings by Aldo Loris Rossi and Donatella Mazzoleni, designed to mix natural types, expressionist ardour, and futurist and constructivist influences. Initiatives such because the Casa del Portuale (1968-1980) and the residential advanced of Piazza Grande (1979-1989) are built-in into the city panorama of Naples, vivid examples of brutalist structure, showing as monumental and autonomous spaceships, conceived within the wake of post-war utopias. Reflecting on the long run these constructions envisioned, and contemplating the imagery they create as we speak—as they turned settings for a few of the most well-known tv collection and music movies shot in Naples—these buildings encourage a mirrored image on residing areas and their emotional implications.

A extra direct interplay with these themes is supplied by Tobias Zielony, who has already accomplished a video and photographic analysis challenge devoted to the Vele di Scampia in Naples and has created a collection of pictures of a few of Rossi and Mazzoleni’s most well-known buildings for the exhibition “Il resto di niente.”

Persevering with by means of the exhibition, guests encounter works by Vincenzo Agnetti and Nanda Vigo, artists from a era near the interval of utopian structure, creating attention-grabbing conceptual and cosmogonic parallels with Rossi’s work. Whereas Jim C. Nedd, RM, and Domenico Salierno depict the emotional, nice, and joyless dimensions of residing as we speak, Giulio Delvè and Özgür Kar current works exploring the hazard of feeling existentially trapped.

Sara Persico interprets the tough city dimension into sound, that Angharad Williams captures within the reflection of a automobile. Franco Mazzucchelli conceives his inflatable sculptures as a way to occupy the residing and communal areas that fill Madre’s rooms.

The exhibition advantages from the collaboration of the College Archives of the College of Naples Federico II, the Vincenzo Agnetti Archive, Milan, and the Nanda Vigo Archive, Milan.

“Il resto di niente” is a part of the analysis line inaugurated by Madre in 2023, devoted to observing Naples as a Mediterranean metropolis reinventing the narrative with which it conceives and tells itself, with new scenes and new stereotypes. This area of investigation started with the fee and publication of the photograph guide “Napoli” by Giovanna Silva (Mousse Publishing, 2023), and might be developed in a program of conferences beginning in June and persevering with till autumn 2024.

Collaborating artists:
Vincenzo Agnetti, Giulio Delvè, Özgür Kar, Donatella Mazzoleni, Franco Mazzucchelli, Jim C. Nedd, Sara Persico, RM, Aldo Loris Rossi, Domenico Salierno, Nanda Vigo, Angharad Williams, and Tobias Zielony

at Museo d’Arte Contemporanea Donnaregina – MADRE, Naples
till July 29, 2024


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